CAMERA SUPPORTS
Come
in all shapes and sizes, from table top tripods only 6 inches high
to others that extend to 9 feet! They are manufactured in different
materials - usually aluminium, plastic, wood or carbon fibre. Always
choose your tripod carefully. If you prefer studio work, a large solid
tripod is an advantage because it is very stable and weight is not
a problem but if you need to walk any distance carrying your camera
gear, you will soon discover that a lightweight tripod is a definite
bonus! Carbon fibre is the lightest and strongest but is also the
most expensive. There are others that although heavier will serve
the same purpose. Some designs are ideal for outdoor work as you can
submerse the tripod legs in water (the feet are sealed against the
elements) and a camera can be mounted either end of the central column
allowing you to position it close to the ground. Various brackets
can be purchased to enable the use of 'off camera' flash on some tripods
- this can be a great help when you wish to light your subject from
a different angle.
| Tripod
Heads: |
 |
Again,
take as much care choosing your tripod head as you do your tripod!
Most Manufacturers make a variety of heads, usually 'Ball & Socket'
or 'Pan and Tilt'. A distinct advantage is a 'quick release' type
which lets you remove the camera from the tripod with the press of
a button.
| Monopods:
|
 |
A
monopod is the ideal camera support for the serious wildlife or sports
photographer - it is light and can also be used as a walking pole.
You are able to 'pan' your camera whilst keeping it steady.
Beanbags:
A
very useful piece of kit which can be used on a car window or roof,
a fence post or tree stump to give the camera a steady support. The
bags can be purchased already filled with plastic beads but can also
be bought so that you can fill them yourself. A good filling is dried
beans, lentils or rice (uncooked!) but beware of the rain!